Jazz – Eric Johnson Web http://ericjohnsonweb.com/ Wed, 22 Sep 2021 12:14:24 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://ericjohnsonweb.com/wp-content/uploads/2021/05/cropped-icon-32x32.png Jazz – Eric Johnson Web http://ericjohnsonweb.com/ 32 32 CAR REVIEW: Honda Jazz Crosstar is a little gem https://ericjohnsonweb.com/car-review-honda-jazz-crosstar-is-a-little-gem/ https://ericjohnsonweb.com/car-review-honda-jazz-crosstar-is-a-little-gem/#respond Wed, 22 Sep 2021 11:36:03 +0000 https://ericjohnsonweb.com/car-review-honda-jazz-crosstar-is-a-little-gem/ There’s no question about the popularity of baby SUVs these days – so Honda’s attempt to woo small car buyers with the Jazz Crosstar makes perfect sense.

The Crosstar is a raised version of the normal Jazz, with the addition of body cladding and roof rails for a more determined look.

In my opinion, it’s a vehicle that really aesthetically takes advantage of the chunkier pseudo-4×4 vibe – although you’d be unwise to interpret its more rugged look as a sign of “go anywhere” off-road capability.

On the road, however, it is a very practical and pleasant machine to drive. There is an engine option – but it’s a good one!

A hybrid powertrain combines two electric motors with a 1.5-liter Atkinson cycle gasoline engine.

The result of this combination is remarkable efficiency in the city and surprisingly lively performance on the most open roads.

In an urban setting, you will usually find sufficient charge in the lithium-ion battery to allow the vehicle to operate in pure electric mode for a reasonable distance.

At faster speeds, the motors work in tandem, switching from one power source to another depending on the ambient conditions and delivering 108 hp.

During a more urgent rural driving shift, I was impressed with how the gearbox responded to the throttle inputs. In an effort to make the Crosstar look more like a normal automatic than a CVT, the gearbox includes “steps” in the revs. It’s a system that works well and means the driving experience is more engaging.

In terms of looks, the Crosstar has a distinctive and likeable appearance.

This is made possible by features like the unique grille, the black plastic coating around the wheel arches, the two-tone paintwork and, as mentioned, those bolt-on roof rails.

Echo of the North: the Honda Jazz Crosstar

Enter and you will find a very well thought out cabin. For the Crosstar version of the Jazz, Honda added water-repellent fabric upholstery, emphasizing that the car is intended for people with an active lifestyle.

The elevated driving position provides an excellent outlook on the road, with a panoramic view enhanced by a high windshield and slim front pillars.

There is no shortage of adjustments to the driver’s seat and steering wheel, with each trim level also benefiting from height adjustment.

Meanwhile, the dashboard buttons are all placed within a good reach, while the central part of the dashboard is enriched with softer-touch materials, although there are cheaper plastics lower down.

A leather-covered steering wheel and shifter give the interior a slightly more upscale feel.

The nine-inch touchscreen is very clear and user-friendly, with the system including Apple CarPlay, Android Auto, navigation, Bluetooth and DAB radio.

In terms of space, the somewhat boxy shape of the Jazz translates to oceans of interior space. A six-footer will have no problem with headroom and legroom up front, while the rear seats are also incredibly spacious for a car of this class.

Echo of the North: the Honda Jazz Crosstar

The large interior is even more practical when you consider Honda’s “magic seats”

These nifty seats can be configured in a number of ways to give you more cabin space, as the seat bases can be folded up to free up floor space. Alternatively, the rear seats can be folded flat to make room for larger items.

The trunk is also very spacious, offering 298 liters, amounting to 1199 with the rear seats folded down.

The car is also equipped with a wide range of safety technologies, including collision mitigation braking, forward collision warning and lane keeping assist.

The Jazz Crosstar is an attractive all-rounder that stands out on many fronts, especially its combined fuel economy and ample interior space.

Honda Jazz Crosstar EX

PRICE: £ 24,585 on the road

ENGINE: 1.5 liter petrol with electric motor

PERFORMANCE: 0-62 mph in 9.9 seconds and top speed of 109 mph

ECONOMY: 58.9 mpg combined and emissions of 109 g / km

TRANSMISSION: CVT, front wheel drive


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“Jazz on the Steps” continues in Niagara Falls https://ericjohnsonweb.com/jazz-on-the-steps-continues-in-niagara-falls/ https://ericjohnsonweb.com/jazz-on-the-steps-continues-in-niagara-falls/#respond Tue, 21 Sep 2021 22:52:54 +0000 https://ericjohnsonweb.com/jazz-on-the-steps-continues-in-niagara-falls/


Tue Sep 21, 2021 6:45 PM

The Niagara Arts and Cultural Center continues its “Autumn Harvest” outdoor concert series with a performance on the lawn by award-winning jazz trio Custode & Parisi from 3 pm to 5 pm on Saturdays September 25 and October 2. place on the steps of avenue des Pins.

Lew Custode and Steve Parisi will be joined each week by a new special guest artist. This event will also feature the professional sound of Mickey Dumas of Precision Sound.

Food trucks will be on site to offer tasty options as well as several community organizations offering information or services.

Bring a lawn chair or blanket, relax and enjoy!

This event is free and open to the public thanks to patrons and sponsors including KeyBank, the Grigg Lewis Foundation, Niagara’s Choice Federal Credit Union, MP Angelo Morinello and Cataract Tax and Accounting.

However, to raise funds for future programs, the CNAC will accept donations and sell 50/50 tickets.

The concert will be moved inside the Grand Théâtre NACC if the weather is unfavorable.

Participants are asked to bring masks and practice social distancing at this event.

Free parking is available on Pine Avenue, Portage Road, Walnut Avenue and 13th Street.

The CNAC is located at 1201 Pine Ave, Niagara Falls.

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Review: Windmills is a brewery, Indian restaurant, jazz lounge, art library and almost everything in between https://ericjohnsonweb.com/review-windmills-is-a-brewery-indian-restaurant-jazz-lounge-art-library-and-almost-everything-in-between/ https://ericjohnsonweb.com/review-windmills-is-a-brewery-indian-restaurant-jazz-lounge-art-library-and-almost-everything-in-between/#respond Tue, 21 Sep 2021 09:00:00 +0000 https://ericjohnsonweb.com/review-windmills-is-a-brewery-indian-restaurant-jazz-lounge-art-library-and-almost-everything-in-between/

I’m at the cafe chaat. I am at the brewery. I am at the café-brasserie chaat combination.

And that’s not even half the story at Windmills, the Dallas area’s most eclectic new place to eat, drink and, well, everything in between. Windmills is a craft brewery, jazz club, Indian restaurant, art book library, cocktail bar, steakhouse and picnic spot, all bundled together in one self-declared building, with precision , a “total environment”.

This restaurant tries to be a million things at once, and it works most of the time. Lots of great food and beer are served in a fascinating space.

The main dining room is a concert hall floor with a balcony, a bar and a large stage with a Steinway and, along its sides, shelves full of real and decorative books. On one side of the balcony, a row of windows overlooks the brewery’s production space.

The lower dining room has more shelves, this time with all the real books, many of which are volumes of coffee table art and high-priced cookbooks from the world’s fanciest restaurants.

One day I stopped by the bar for a snack and a pint and got absorbed in the library, picking up still shrink-wrapped volumes on Nordic pastry and Mexican haute cuisine, wondering if I had the right to them. to open. (I asked, the answer is yes.)

Click to enlarge If you have time to spare in Windmills, help yourself to the library.  - ALISON MCLEAN

If you have time to spare in Windmills, help yourself to the library.

Alison mclean

On the ground floor, the tables are arranged in diamond-shaped booths, so that when a show takes place, everyone can gather on one side to watch. When there’s no live show, prepare to be rocked to one of Texas’ most eccentric playlists. Windmills’ stereo system is coming out blow after blow of decades past, from a collection that might be called “Mostly Latin Retro Bops” or perhaps “Songs My Hippie Elementary School Teacher Played During Reading Time”.

Come for lunch and listen to the bossa nova organ styles of Walter Wanderley and Eumir Deodato, classic tunes from the Buena Vista Social Club, Parisian accordion serenades, the Dave Brubeck Quartet, flamboyant harmonica solos and, to mix it all up, classic American country.

There are also more details to admire in this space, like the slatted ceiling, sound-absorbing tiled walls, the wide-angle view overlooking a man-made lake, and stylish coasters. The whole building is doing its show.

“I feel like I’m in the dining room of a cruise ship,” a friend told me as he took it all in. Then we looked at the menu, presented on an iPad, and he changed his response, “No, it’s more like Epcot.

As a strange flute instrumental cover of “Raindrops Keep Fallin ‘On My Head” hit the sound system, it was time to order.

The beer from the windmills is, overall, pretty darn good. I especially enjoyed a mild, medium dark, and slightly sweet Mexican lager – compare it to Victoria or Bohemia – and a slightly bitter, hoppy but easy to drink lager. The season is pretty good too, and friends have said they’ve enjoyed the porter coffee, which manages to have a strong coffee taste without sacrificing the fact that it’s supposed to taste like beer.

Click to enlarge The Wagyu burger topped with a chili sauce - ALISON MCLEAN

The Wagyu burger topped with a chili sauce

Alison mclean

A beer helps to contemplate the food menu, which is long and full of surprises. There are South Asian classics – chaat, grilled kebabs, kulfi – and Texas classics – big steaks, queso, jalapeños stuffed on the breast – in equal measure. There’s a burger topped with chili pepper sauce and a chicken skewer with guava frosting.

As with so many restaurants in the Dallas area, all of the funniest dishes are starters and snacks. Anyone ordering a beer should pair it with kulcha, the ultra-thin stuffed flatbreads. Windmills has several varieties, including Parmesan and Green Chili Kulcha for the spice enthusiast; Our favorite so far incorporates ground beef and spices into the bread ($ 13). Topped with an outrageous amount of black sesame seeds, it’s the perfect partner for a pint.

Seeh lamb skewers marinate with Kashmiri peppers before grilling ($ 17). The ground lamb is cooked, but still tender, served with light green raita and a lightly marinated salad of red onions and carrots. There is nothing quite like a refreshing red onion on a bite of spicy meat.

Click to enlarge The towering potato tikki chaat is a creative execution of the classic street snack.  - ALISON MCLEAN

The towering potato tikki chaat is a creative execution of the classic street snack.

Alison mclean

Better yet, the tikki chaat potato, a beloved street snack full of flavor ($ 11). I will describe it from top to bottom. First and most conspicuously there is a portion of crispy fried potato strings, then under those tamarind and mint chutney swirls and on the sides is a refreshing yogurt stalk. Dig in to reveal diced red onion and tomato, pomegranate seeds, fried chickpeas and, at the bottom of the plate, a spicy potato pancake. It is a perfectly executed pandemonium.

We were more divided over Kerala Beef Fry, Sirloin Stir Fry, Coconut Slices, Shallots, and Curry Leaves served on a rolled flatbread ($ 17). I kept seasoned pieces of meat until they were almost red, while avoiding the dry, chalky pieces of coconut.

Main courses range from fried chicken steak with duck fat sauce to moilee, a Portuguese-Indian seafood stew. We tried the veggie kofta, a huge donut of carrots, potatoes, other vegetables and spices that is cut in half and plated like two twin peaks rising above a pool of sauce ($ 21). This sauce is creamy and buttery, but also loaded with smoked and mashed tomatoes, a tangy and unusual combination.

Our server was very excited about the lamb chops. In fact, he was really and rightfully excited about everything, but the chops were as advertised, full of flavor, perfectly cooked, and delicious ($ 36). The other two items on the plate were acquired tastes: a sweet tamarind glaze on the lamb and a “khichdi risotto” of rice and lentils that had become dry and starchy.

But the successes on the Windmills menu clearly outweigh the failures, and there is much more to try. I only now notice that they have a Hill Country Potato Salad to order with kebabs. All of the food shows the range and quality of Windmills beer.

When we sat at a booth on a Saturday lunchtime our server told us the live music started that night at 9:30 am and then suggested we stay and watch. (In fact, many customers reserve tables for live performances in advance, reserving specific seats like in a concert hall.)

Yet just before we realized that nine more hours at our table would be ridiculous, I looked at the tanks full of beer, the shelves full of books, the plush booths and armchairs, the lake outside. and the snack menu, and I thought, yeah, we could stay.

Windmills, 5755 Grandscape Blvd., The Colony. 972-777-6770, windmills-usa.com. Open Sunday to Thursday 11 am-10pm, Friday and Saturday 11 am-11pm

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30. Opening night of jazz versus. Favors, Thunder https://ericjohnsonweb.com/30-opening-night-of-jazz-versus-favors-thunder/ https://ericjohnsonweb.com/30-opening-night-of-jazz-versus-favors-thunder/#respond Mon, 20 Sep 2021 20:31:34 +0000 https://ericjohnsonweb.com/30-opening-night-of-jazz-versus-favors-thunder/

SALT LAKE CITY, Utah – The Utah Jazz opens their season on October 20, in just one month. As time goes by, we’re taking a look at 50 things to keep jazz fans excited about preparing for the 2021-22 NBA season. Arrival at number 30, preview of the opening night.

Opening night Jazz vs. Favors, Thunder

In a bit of cruel irony, the Jazz will take on longtime fan and locker room favorite Derrick Favors on opening night.

Favors helped oversee a total Jazz rebuild after Deron Williams left before being traded to the New Orleans Pelicans to make room for Mike Conley and Bojan Bogdanovic in 2019. Then, after he stepped down with the Jazz in 2020, he was traded to the Thunder to reduce the team’s luxury tax bill in July.

The Thunder are in the midst of one of the most ambitious rebuilds in NBA history, accepting unwanted contracts from other teams as well as additional project capital. Along with Favors, the Jazz sent the Thunder a future first-round pick and received a second-round pick in return.

Opening night will mark the debut of Rudy Gay, Hassan Whiteside, Eric Paschall and Jazz rookie Jared Butler. The team signed Gay and Whiteside as free agents while acquiring Pascall and Butler via trade.

Gay will take on the role left out by striker Georges Niang, while Whiteside will be tasked with filling Favors shoes. Paschall and Butler will compete for a spot in the rotation throughout the year.

The Thunder, meanwhile, underwent a mini-overhaul, with trade veteran Al Horford against the Boston Celtics in exchange for Kemba Walker and the 16th overall pick in the draft. Oklahoma City quickly bought out Walker after the trade that went on to sign with the New York Knicks.

Additionally, the Thunder added Australian Josh Giddey and Florida goalkeeper Tre Mann in the first round of the draft.

Opening night will also mark a rematch for Donovan Mitchell and Lu Dort, one of the most exciting duels in the NBA last season.

The two players have faced each other four times in their careers, separating the encounters of two games each.

Mitchell averaged 20.3 points, 3.8 assists and 3.3 rebounds against the Thunder in the four games while Dort averaged 20.5 points, 1.2 assists, 3.5 rebounds against Mitchell.

Neither player dressed for the two teams’ final game in May last season.

The Jazz and Thunder will open their seasons in a month from today and will be on our list at # 30 of the 50 Best Scenarios before opening night.

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Art Blakey, Nina Simone, George Wein & More: Jazz Week https://ericjohnsonweb.com/art-blakey-nina-simone-george-wein-more-jazz-week/ https://ericjohnsonweb.com/art-blakey-nina-simone-george-wein-more-jazz-week/#respond Mon, 20 Sep 2021 11:02:13 +0000 https://ericjohnsonweb.com/art-blakey-nina-simone-george-wein-more-jazz-week/

The Week in Jazz is your roundup of new and remarkable stories from the world of jazz. It’s a one-stop destination for the music news you need to know. Let’s take it from the top.


New Art Music Blakey & The Jazz Messengers on Blue Note: On November 2, Blue Note Records will be released First flight to Tokyo: the lost records of 1961. This is an exciting, unreleased live recording by Art Blakey & The Jazz Messengers of their highly successful first tour of Japan, featuring one of the band’s most iconic lineups with the legendary drummer alongside Lee Morgan. , Wayne Shorter, Bobby Timmons and Jymie Merritt. The set will be released in deluxe 2-LP / 2-CD editions with elaborate booklets, rare photos, historical essay, and new interviews with Wayne Shorter, Don Was and more. Pre-order First flight to Tokyo here.

Vinyl Me, Please celebrates Philadelphia’s international records with a huge box set: Vinyl Me, Please will release a massive vinyl box set celebrating the legacy of flagship soul, R&B, gospel and doo-wop label Philadelphia International Records, which is celebrating its 50th anniversary this year. VMP Anthology: The History of Philadelphia International Records tells the story of the label through eight essential albums and is accompanied by numerous goodies, including an original 26-page listening notes and photo booklet, as well as a four-part podcast series. The first edition of this Commemorative Anthology is limited to only 1000 pressings. Find out more here.

Legendary musical impresario George Wein dies: Legendary music manager George Wein died on September 13 at the age of 95. According to a statement from his family, Wein passed away peacefully in his sleep. Wein is recognized for setting the standard for outdoor music festivals as a co-founder of the Newport Jazz Festival in 1954 and the Newport Folk Festival in 1959. He was also instrumental in the founding of New Orleans Jazz & Heritage Festival in 1970. He once said: “The creation of festivals had a major impact on society in general because you couldn’t attract big crowds inside. In Newport, we quickly drew in crowds of 10,000 and there weren’t any rooms that could accommodate that many people. As well as being an impresario, Wein was also a musician / producer and released his self-titled debut album in 1955 via the Atlantic label, as well as subsequent albums with various incarnations of “All-Star” ensembles.

Next best hits and remix of Nina Simone: Verve Records will release a new collection of Nina Simone’s greatest hits and remixes on October 29th. Feeling Good: his greatest hits and remixes brings together some of his most iconic hits and includes seven remixes from some of the world’s hottest DJs. The first single is a dancefloor-ready remix of his timeless classic title track, “Feeling Good”, by English producer Joel Corry, who has worked with Charlie XCX, Ed Sheeran and David Guetta. Pre-order Good: his greatest hits and remixes here.

Reservoir announces global agreement with Joni Mitchell: Independent music company Reservoir Media, Inc. has announced a new deal with music icon Joni Mitchell. The deal sees the company become the global administrator of its illustrious publishing catalog. The Canadian artist and songwriter has drawn inspiration from a variety of genres throughout her career, including folk, pop, rock, classical and jazz, to produce generation-defining music. “I am so proud to welcome Joni Mitchell to our Reservoir family,” Reservoir Founder and CEO Golnar Khosrowshahi said via an official statement. “Joni is a musical pioneer and unique creator, and we look forward to safeguarding her catalog and defending her legacy.”

Vince Guaraldi A Charlie Brown Christmas The soundtrack returns on cassette: The timeless soundtrack of Vince Guaraldi Trio until 1965 PEANUTS special TV, A Charlie Brown Christmas, returns on tape for the first time in three decades on November 5, courtesy of Craft Recordings. This silver colored collector’s cassette is limited to 5000 units worldwide and you can pre-order it HERE. The cassette serves as an accompaniment to the recently announced “Silver Foil” vinyl edition of A Charlie Brown Christmas, which reinvents the album’s classic white cover with a silver dust jacket and will be available on October 1.

Ben Sidran’s Book on Jewish Contributions to American Popular Music, Updated and Revised: A revised and updated edition of Ben Sidran There was a fire: Jews, music and the American dream is now available on Nardis Books. The book takes readers on a wild ride through popular American music, discovering the voices, sounds and feelings of Jewish immigrants and revealing how popular music defined the American Dream. This revised and updated edition addresses the advent of Trump, Black Lives Matter, COVID-19, streaming services and their impact on the Jewish experience. It also includes a preface by Howard S. Becker. Order There was a fire here.

Fazer shares a menacing new video: Munich-based post-rock jazz quintet Fazer shared a menacing and captivating video for their new song, “Grenadier”. You can watch it via the player below. The video was written and produced by Johannes Brugger, who shares via a press release: “I wanted to experience dreamlike narrative elements. “Grenadier” is also FAZER’s first single since signing with City Slang.

Album announcements

Staci Griesbach, My George Jones Songbook (self-published): Singer Staci Griesbach reinvents the music of George Jones in the tone of jazz on her new album, My George Jones Songbook, released September 10. The 14-track recording, released in the year of the country icon’s 90th birthday, is Griesbach’s third album featuring the Great American Songbook of Country Music in the style of jazz, after tributes to Patsy Cline and Shania Twain. Order it here.

Kirk Whalum, How does Christmas sound? (Artistic / Avenue Mack): Renowned saxophonist Kirk Whalum revisits tracks from the Christmas canon and lesser-known gems with a more introspective and spiritual sound on How does Christmas sound?, now on Artistry / Mack Avenue. This is his second full Christmas themed album, following his 2001 GRAMMY nominated LP, The Christmas Message. Order How does Christmas sound? here.

Satoko Fujii, Piano music (Balance): Pianist / composer Satoko Fujii, a major voice in avant-garde music for years, released her daring new experience of sound collage and prepared piano on September 17. Order it HERE. Piano Music follows a series of fascinating and varied records that Fujii released in 2021, one of which is a live trio recording titled Moon on the Lake, which was one of the focal points of our recent conversation with her for our JAZZIZ Travel series. You can listen to this interview via the player below.

Pasquale Grasso, Pasquale plays the duke (Sony Music Masterworks): Guitar virtuoso Pasquale Grasso celebrates Duke Ellington’s legacy on his latest album, Pasquale plays the duke, released on September 17 and released via Sony Music Masterworks. The recording, which follows a chain of Solo walks EPs released in Part 1 of 2021 feature him alongside bassist Art Roland and drummer Keith Balla, as well as special guest singers Sheila Jordan and Samara Joy. Order it here.

Live music and festival news

The BRIC Jazzfest announces more artists for the 2021 program: Roy Nathanson, Hailu Mergia, Linda Diaz, Stast Thee Boss and Sasha Berliner are just a few of the names that have been added to an already packed lineup for this year’s BRIC Jazzfest. The three-day jazz music marathon will take place at the BRIC House in Brooklyn and return in person on October 21-23. This year’s lineup is co-hosted by artist Madison McFerrin with executive producer Lia Camille Crockett and Winter JazzFest founder Brice Rosenbloom. Click here for more information and tickets.

Hiromi will perform the Silver Lining Suite at Sony Hall in New York on October 7: Hiromi’s piano quintet will perform Silver Lining Suite at Sony Hall in New York City on October 7. Tickets here. Silver Lining Suite is the pianist / songwriter’s upcoming 2-LP album, inspired by the emotional toll of the pandemic and offering a mind-boggling blend of jazz invention and classical composition. The suite is performed on record alongside a string quartet. Pre-order it here.

The DC Jazz Festival crowns two DCJazz winners: The Giveton Gelin Quintet and Dayramir Gonzalez & Habana enTRANCé have been announced as co-winners of the 6th annual DCJazzPrice at the recently concluded DC Jazz Festival. The award is the DC Jazz Festival’s international competition created to recognize and support the best emerging talent in jazz groups. This year, the tie earned the two winning groups a cash prize of $ 15,000 and one-year associations with the DC Jazz Festival, including a paid engagement on the main stage of the DC Jazz Festival 2022.

Photo by Justin Featherstone.

The 12th edition of the Montclair Jazz Festival is organizing the grand finale: The 12th annual Montclair Jazz Festival in Montclair, New Jersey, spanned three months and will conclude with a week-long grand finale, with the final event taking place on September 25. Headliners include Christian McBride, Billy Hart, The Baylor Project, Alicia Olatja, Emmet Cohen, Zaccai Curtis, Camille Thurman, Rudresh Mahanthappa, the Jazz House Collective and Danielle Ponder. The concert series is produced by JAZZ HOUSE KiDS and curated by its artistic director Christian McBride. Click here to find out more.

Image courtesy of Verve Records.

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Key words:
Art Blakey, Ben Sidran, Dayramir Gonzalez, Duke Ellington, Fazer, George Jones, George Wein, Giveton Gelin, Hiromi, Joni Mitchell, Kirk Whalum, Nina Simone, Pasquale Grasso, Satoko Fujii, Staci Griesbach, The Jazz Messengers, Vince Guaraldi
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Maskless SF mayor London Breed met legendary Bay Area musicians at the indoor jazz club https://ericjohnsonweb.com/maskless-sf-mayor-london-breed-met-legendary-bay-area-musicians-at-the-indoor-jazz-club/ https://ericjohnsonweb.com/maskless-sf-mayor-london-breed-met-legendary-bay-area-musicians-at-the-indoor-jazz-club/#respond Sun, 19 Sep 2021 08:17:58 +0000 https://ericjohnsonweb.com/maskless-sf-mayor-london-breed-met-legendary-bay-area-musicians-at-the-indoor-jazz-club/
San Francisco Mayor London Breed with Alicia Garza (left), co-founder of the Black Lives Matter movement, and Raphael Saadiq (far right) at the Black Cat in San Francisco. Photo: Dennis Manuel

Music fans at San Francisco’s Black Cat nightclub in the Tenderloin, many of whom without a mask – including Mayor London Breed – were treated to a surprise reunion by one of the Bay Area’s most popular R&B groups Wednesday September 15.

As part of the Jazz @ the Edge festival launched last month, Raphael Saadiq and D’Wayne Wiggins of Oakland – two of the original three band members to top the Tony charts! Toni! Your! – gave an impromptu late-night performance of “Let’s Get Down”, the hit single from the East Bay trio’s fourth studio album, “House of Music” from 1996.

“The fact that we haven’t been able to enjoy live music in this way since the start of this pandemic has made it even more special and extraordinary,” Breed told The Chronicle after the performance. “I was truly honored and truly incredulous as I sat here and watched what I felt was history in the making.”

Most of the patrons inside the underground venue, which serves food and drink, were not wearing masks as mandated by the city of San Francisco. According to the Breed city-wide mandate announced in August, the health department requires everyone to wear a properly fitted mask in indoor public buildings, even if they are fully vaccinated against COVID-19, except while eating or actively drinking.

Breed – who had a drinks table in front of her and often held one – spent the night dancing, singing and posing for photos without covering his face.

SF London Breed Mayor with Raphael Saadiq (left) and D’Wayne Wiggins at Black Cat in San Francisco. Photo: Dennis Manuel

Breed stressed, however, that she often tested for COVID-19 and said “at the end of the day, everyone who comes here must show proof of vaccination. This reassures me a lot. “

“I have been very careful, not only because I want to lead by example, but because I don’t want to have COVID. I also want to make sure that I am not someone who transmits COVID to other people, ”she said. “This whole pandemic has focused on the safety of people. “

(Editor’s note: The Chronicle reporter who spoke to Breed was not wearing a mask during the interview.)

The breed was criticized earlier in the pandemic for dining at the French Laundry in Napa as part of a party of eight when state rules ‘strongly discouraged’ social gatherings and limited them to three households . While she wasn’t technically breaking state rules, the dinner was at odds with San Francisco’s stricter guideline at the time. Breed’s dinner came just one night after Governor Gavin Newsom’s ill-advised French laundry dinner.

The mayor’s office did not immediately respond to a request for further comment the next day.

Tony’s D’wayne Wiggins! Toni! Your! performed with Maurice “Mobetta” Brown and the Free Nationals at Black Cat in San Francisco on September 15, 2021. Photo: Dennis Manuel

Saadiq, an Oscar-nominated songwriter who has worked with everyone from Mick Jagger to Solange since his band split in the late ’90s, was back home on a brief stopover from Switzerland, Wiggins said. After singing a few lines from “Let’s Get Down” – which got Breed and Alicia Garza, co-founder of the Black Lives Matter movement up and dancing – Saadiq sneaked out of the building to catch her next flight.

“I didn’t know if I was going to go up there, and I really didn’t know if my brother would go up there, because he’s a little different from me when it comes to that,” Wiggins told The Chronicle. “But when the spirit moves you, that’s when great things happen.”

Saadiq and Wiggins attended the club for the 15-night residency of Grammy Award-winning jazz trumpeter Maurice “Mobetta” Brown, who kicked off his two evenings with Los Angeles singer India Shawn and the Free Nationals, the R&B group that frequently backs rapper Anderson. Paak. Brown plans to continue his run in San Francisco with Free National keyboardist T. Nava Jam, trombonist Saunders Sermons, pedal and lap steel guitarist Roosevelt Collier and others until September 26. (Last week he introduced rapper Talib Kweli as his surprise guest.)

Maurice “Mobetta” Brown at Black Cat in San Francisco on September 15, 2021. Photo: Dennis Manuel

Wednesday night’s show was part of a jubilant comeback for the Black Cat, which, like many other indoor venues, has been closed for more than a year due to the ongoing coronavirus pandemic.

“It’s very important that we support our venues at this time,” said Dori Caminong, vice president of the San Francisco Entertainment Commission. “Ultimately there is a natural intersection of culture, community, art, music and politics here. It’s a political act to go out and support all of our businesses, but it’s important to do that, especially as we’re trying to reopen safely. “

Jazz @ the Edge Festival: Some evenings until October 10. $ 20- $ 60. Proof of vaccination required. Black Cat, 400 Eddy Street, SF 415-358-1999. blackcatsf.com

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2 hyperbolic professions that Jazz must be doing right now https://ericjohnsonweb.com/2-hyperbolic-professions-that-jazz-must-be-doing-right-now/ https://ericjohnsonweb.com/2-hyperbolic-professions-that-jazz-must-be-doing-right-now/#respond Sat, 18 Sep 2021 16:24:16 +0000 https://ericjohnsonweb.com/2-hyperbolic-professions-that-jazz-must-be-doing-right-now/

Utah Jazz made the playoffs again last season. After four years of missing the playoffs at the start of the last decade, they’ve now been in the thick of it for several years now. The point, however, is to seriously fight for a title. The core of Donovan Mitchell and Rudy Gobert is listed for the next five years, while the additions to that core in Mike Conley and Jordan Clarkson are there for the next three. Additional tracks from Bojan Bogdanovic and Rudy Gay, to name a few, are also present, so this is the team that Jazz plans to challenge with.

However, it’s clear that for a serious title challenge, they’ll need more. Here are two trades that can potentially help them.

Davis Bertans at Jazz; Joe Ingles to Wizards

One thing every team knows in the league is that it takes a ton of shots to win in the modern NBA. For the Jazz to get even more shots and even more consistent shots, Bertans is the way to go. The Latvian shooter has been lethal in the past, while Ingles is in the last year of his contract, and despite being a skilled shooter Bertans is just plain better.

It is true that Bertans had a slack year compared to the contract year he had in 2019-2020. However, he still turned the lights off with 39.5% shots for three in 7.5 attempts, which is just the elite. Bertans exploded in the aforementioned 19-20 season, dropping from 8.0 points to 15.4 while keeping his shooting percentage at a good level. He brings a ton of filming, like it’s been said before, and not much else, but there’s not much else that Jazz really needs.

On the other hand, Ingles is slowly fading as he enters the wrong end of the 30. He will be 34 at the start of the season, while Bertans is entering his prime at 28. The Wizards can always turn his contract over. ‘a year for a certain value, or use this move for more flexibility. With the Latvian occupying $ 16million a year for the next four years, Ingles would be immediately ruled out and the Wizards could consider using him in a trade or signing players next summer.

Obviously that would benefit the Jazz more, as having two snipers like Bogdanovic and Bertans on the wings would be deadly. Defenses should be worried about Conley and Mitchell’s practices, Gobert on the offensive glass and the two shooters on the wings. If the Jazz can pull off that compromise, it would be a great addition, although it wouldn’t allow them to sign bigger players in the foreseeable future in free agency.

Marvin Bagley on jazz; Eric Paschall and Royce O’Neale at the Kings

Kings are known to make these types of moves, so in this world this trade makes perfect sense. Clearly, the second overall pick in the 2018 NBA Draft hasn’t been incredible for the Kings and he’s in the final year of his contract. Betting on Paschall and O’Neale, who have both shown they can contribute to their teams in the past, would be good value for an ongoing draft.

Marvin Bagley would be a big risk to take for the Utah Jazz which would not cost much. He has one year on his contract, as has been said before, and if this business doesn’t work, they can still let him go into free agency. However, if he did, it would be a good deal for the Jazz. Bagley was the second choice for a reason and it’s clear Sacramento’s dysfunction didn’t work for his development. The Jazz are a stable franchise with a clear plan for the future, and if he manages to secure similar status to Bobby Portis in Milwaukee, he could jumpstart his career.

The Kings, on the other hand, don’t know what to do with their pickaxes, or at least it seems so. They wasted too many careers of good young players who had superstar potential and it looks like Bagley is one more in that mold. That way, they would get at least some value for an expiring contract that they clearly don’t consider re-signing. Paschall had a great rookie year for the Warriors a few years ago, while O’Neale will be a consistent and solid contributor on the bench.

It is clear that Jazz needs help and these two professions present it, at least to some extent. While Bagley would be a risk, Bertans certainly isn’t, and the Utah front office would need to be on the phone right now with the Wizards for this deal to come to fruition.

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2021 Longford Jazz Festival is back with a joyous effect | Examiner https://ericjohnsonweb.com/2021-longford-jazz-festival-is-back-with-a-joyous-effect-examiner/ https://ericjohnsonweb.com/2021-longford-jazz-festival-is-back-with-a-joyous-effect-examiner/#respond Sat, 18 Sep 2021 07:30:00 +0000 https://ericjohnsonweb.com/2021-longford-jazz-festival-is-back-with-a-joyous-effect-examiner/

news, local news,

The mellow sounds of saxophones and trombones filled the Longford Bowls Club for the official opening of the Longford Jazz Festival 2021 on Saturday. The event, in its eighth year, celebrates all things the beloved musical genre of jazz while bringing the community together. Prominent Tasmanian actor John X, also known for his vocal talents, opened the festival with the house group. “Coming from an acting background and singing only by accident about 20 years ago, it’s great to have the honor not only to launch it but also to sing a few songs… it’s pretty exciting,” did he declare. READ MORE: Aboriginal culture and art documented forever “It’s a little scary, I have to say, there is one song I sang today and only sung one times before … it’s a little intimidating to be among some of these people. ”Mr. X said he was delighted to share the stage with talented musicians and sing some of the jazz classics in front of an audience . “I was so happy to hear that this was going on [with COVID-19 restrictions] and I think people need it in their lives right now, especially in rural areas and community areas like this, ”he said. The Jazz Festival takes place at several venues in the Longford area, with a variety of concerts, times and events to satisfy any jazz fan. “Jazz is an amazing thing, it seems to please everyone,” MX said. extra layer that makes people feel comfortable and comfortable, and they can relax and forget their worries for a while. to familiar tunes. Participant Sallie Creese, from Eaglehawk Neck, is a member from Hobart Jazz Club and has attended the festival for the past four years READ MORE: Man Killed in Birralee Fireworks Tragedy “John X is brilliant. He’s an amazing artist and he gets better every year, “she said.” We’re so lucky to be able to have [the festival] with other states having to cancel things. “Coordinator Don Ives said it was a great feeling to have the festival.” We like to keep the music live and we don’t just play jazz we play swing and every now and then we can add a rock and roll number too, “he said.” We believe [the festival] is for the city, and the people of the city come to support us. The festival will also boost businesses and accommodation in the area, with Ms. Creese planning to support the locals while attending the event. The festival ends Sunday afternoon. Tickets are available at trybooking.com, with offers for multiple sessions. What do you think ? Send us a letter to the editorial staff:


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Pioneer Valley Jazz Shares opens a new season https://ericjohnsonweb.com/pioneer-valley-jazz-shares-opens-a-new-season/ https://ericjohnsonweb.com/pioneer-valley-jazz-shares-opens-a-new-season/#respond Fri, 17 Sep 2021 18:01:26 +0000 https://ericjohnsonweb.com/pioneer-valley-jazz-shares-opens-a-new-season/

In 2012, Glenn Siegel was looking for a way to bring more jazz performances to the valley. A long-time producer of concerts in the area, such as the Magic Triangle Jazz Series at the University of Massachusetts at Amherst, Siegel envisioned a successful model that had been used for small farms: community-supported agriculture.

Just as CSA members pay in advance for a weekly pickup of vegetables and other produce, Siegel believed jazz fans might be ready to fight for gigs that otherwise probably couldn’t be funded.

He was right: Pioneer Valley Jazz Shares (PVJS) is now entering its 10th season, having weathered the worst of the pandemic, and Siegel says the Valley continues to be a place jazz musicians want to play – and audiences want to play. hear them.

“We are very grateful to our shareholders,” says Siegel. “With truly generous business sponsors, these are the people who made everything that we did possible. “

The 2021-2022 season kicks off on September 24 when the Christoph Irniger Trio, accompanied by renowned saxophonist Michaël Attias, takes to the Shea Theater in Turners Falls at 7:30 p.m.

Siegel, who lives in Northampton with his wife, Priscilla Page – she is vice president of PVJS as well as a faculty member at the UMass theater department – says a core group of around 85 shareholders are now part of the program , which costs $ 125 per person for a season that typically includes 10 shows. Over the years, says Siegel, PVJS has produced 95 jazz concerts.

Single ticket sales and sponsorship support also underpin the shows, note Siegel and Page, as does the fact that the jazz artists who play the concerts “are willing to do it for a fairly modest fee,” said Siegel.

“They really like to play here,” he says. “A lot of them see it as a good place to start a New England tour, not just a place where they maybe add an extra show to a tour they’ve already scheduled.”

The arrival of COVID-19 last year threw a wrench into the works, as it did for most musicians and music promoters, but PVJS still managed to present 10 concerts, including shows. pre-recorded and broadcast live online and outdoor concerts.

“I’m pretty proud that we were able to do as much as we did, given the circumstances,” Page said, noting that she and Siegel sat down with the Amherst Media staff to stream a few shows live. .

“It was both a little strange but also really special, that we were the only members of the audience to see these shows live,” Page adds.

For this season, she and Siegel have already scheduled 10 concerts until February, including four in October, and they plan to add more in the spring to make up for the lack of live events in 2020-2021.

Much of that depends, Siegel warns, on whether the pandemic does not worsen and whether strict safety protocols are maintained at concerts: members of the public will all need to show proof of vaccination and wear face masks.

“We’re cautiously optimistic about our ability to make this work,” he says.

Most bands are eager to play, he notes, although COVID may have interfered with members’ ability to regularly rehearse with each other over the past year. But since improvisation is a fundamental part of jazz, says Siegel, the musicians at PVJS have an advantage over, say, a symphony orchestra that has to rehearse together.

COVID did not prevent Christoph Irniger, from Switzerland, from traveling to the United States to lead his group during the September 24 show at the Shea Theater. “He’s a real barnstormer who wants to get his music out,” says Siegel.

Irniger, tenor saxophonist and composer, performed a 2019 PVJS show in Springfield; he will be joined at the Shea by another European musician, Raffaele Bossard on bass, and New York players Ziv Ravitz on drums and Michaël Attias on alto saxophone.

According to the concert notes, Irniger’s playing is “deeply rooted” in jazz traditions but also full of exploration. As one reviewer puts it, “He always creates something new, leaving sound paths well traced. Don’t just look left and right a bit, but dig deep into the bushes.

Here is an overview of the four PVJS fairs in October:

Mary LaRose set, Institute of Musical Arts, Goshen, October 9 – Brooklyn, New York, singer Mary LaRose will release her new album, “Out There”, for which she primarily wrote lyrics for the music of Eric Dolphy, an American saxophonist, Flute player and free jazz / bebop composer of the 1950s and early 1960s. LaRose’s husband, clarinetist Jeff Lederer, is part of the ensemble.

LaRose, who has also written lyrics to music by other jazz composers such as Ornette Coleman and Anthony Braxton, is “just a really creative singer and lyricist,” says Siegel. One of his new songs, for example, imagines what Dolphy’s life might have been like at his home in New York.

Steph Richards & Supersense, Institute of the Musical Arts, October 12 – Trumpeter, composer and conductor Steph Richards, also based in Brooklyn, is known for her experiences in jazz and collaborations with pioneering artists such as Henry Threadgill, Laurie Anderson and David Byrne. Siegel says his IMA show will also include a “scratch and sniff” element and a video.

Jason Robinson’s Harmonic Constituent, Northampton Community Arts Trust, October 15 – Saxophonist and composer Jason Robinson, who teaches music at Amherst College, will also present work from his most recent album, “Harmonic Constitute” from 2020, inspired by a solo trip he did in 2018 to the northern California coast.

Robinson, who has performed with a variety of musicians over the years, will be joined by bassist Drew Gress, drummer Ches Smith and acclaimed pianist Joshua White from California.

Orrin Evans Trio, Community Music School of Springfield, October 30 – New Jersey native Evans, a pianist whose music embraces a range of influences including neo-soul, country and hip-hop, was previously a member of The Bad Plus, a modern jazz band that combined avant-garde sounds with rock and pop influences.

Single tickets for all of these shows cost $ 15 and are available at the door and also on jazzshares.org, which also includes additional details on all concerts.

Steve Pfarrer can be reached at spfarrer@gazettenet.com.

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Live Jazz Returns to The Hawth in Crawley https://ericjohnsonweb.com/live-jazz-returns-to-the-hawth-in-crawley/ https://ericjohnsonweb.com/live-jazz-returns-to-the-hawth-in-crawley/#respond Fri, 17 Sep 2021 07:05:00 +0000 https://ericjohnsonweb.com/live-jazz-returns-to-the-hawth-in-crawley/
Mike piggott

“The first opportunity will be Sunday September 19 from 12 noon to 1:30 pm with a Jazz Sunday Session from Mike Piggott’s Hot Club Trio. With himself on violin, Nils Solberg on guitar and Pete Morgan on double bass, they bring their own entertaining combination of gypsy jazz, swing and blues inspired by the Hot Club de France.

“There are also three jazz lunches to be expected from 12 noon to 2:30 pm. To each, you can enjoy fantastic music alongside a traditional roast with a choice of meats, followed by a dessert of your choice. Remember to book in advance.

“On Sunday October 3, it will be the turn of Jo Fooks and Ted Beament to be in the spotlight. Saxophonist Jo Fooks and pianist Ted Beament both had the pleasure of playing in Humphrey Lyttelton’s group; Jo for seven years and Ted for 13 years. They will play a diverse and entertaining set of standards, as well as a few tracks from their own albums.

“Sunday November 21 sees a welcome return for JAVAJAM. Sarah-Jane has worked extensively in the West End including The Mistress in Evita, Cosette in Les Misérables and Ellen in Miss Saigon, a wealth of experience she brings to her delightful singing on this musical journey from Gershwin to Porter and from Bacharach to Norah Jones.

“Finally for 2021, Shireen Francis will perform for the guests on Sunday December 5th. Expect a warm, engaging and moving performer. Shireen Francis has developed his own unique blend of jazz with flavors of gospel, blues, calypso and reggae, inspired by artists such as Ella Fitzgerald, Dianne Reeves, Carmen Lundy and Etta James.

Tickets on hawth.co.uk.

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